Music

Low Country Wedding

Low Country Wedding, the newest album by Jefferson Ross, is a musical exploration of the Deep South featuring all original songs using acoustic instrumentation.

Backstage Balladeer

“Backstage Balladeer” ramps up the juice a bit featuring more electrified instruments than is usual for Jefferson.  Featured songs are “Travel” and “Power”.

Southern Currency

On “Southern Currency”, Jefferson addresses the South state by state, from the beaches of Florida, to the hills of Virginia and down to the marshes of Louisiana. Whether it’s dealing with the American Civil War or the joy of cooking gumbo, “Southern Currency” delivers.

LIVE at Hillbilly Haiku

Here, I’m going to paraphrase J. D. Salinger’s 1961 inscription for “Franny And Zooey”. In the spirit of Matthew Salinger, age one,
urging a luncheon companion to accept a cool lima bean, I urge….(you, dear listener and valued friend, to accept this awfully rough, seeds, twigs, warts and all musical recording into your collection.)

I think it’s pretty good though. It sounds just like me when I’m not trying to sound cooler than I really do. It sounds like the fun way music can sound when it’s played among friends. Comforting like soup and hot cornbread…and maybe a little bourbon and branch water.

So, I hope you like this humble offering. As Arvin would say, it’ll keep on spinning in the right direction and, Lord, that’s a comfort when everything goes wrong.

Boogie forth.

Stable Suite

“Stable Suite” is a collection of original Christmas songs written and performed by Jefferson and longtime friend and collaborator, Thomm Jutz.  All acoustic and mellow.  It even features Jefferson’s daughter, Peyton, when she was just nine years old.

Dogwood Cats

Howdy, neighbors. On my last recording I served up some flavors of the coastal South. This time around, we’re heading up to the hill country where the light of the Son meets the shadow of the steeple. Where a renegade Baptist preacher marches with Doctor King yet insists on befriending Klansmen because he believes that’s what Jesus would do. It’s where a little old lady tends a sumptuous garden a dozen times the size of her cottage. It is a land of barbecues and funerals, choirs and juke joints, artists and La-Z-Boy pundits. Where Confederate prostitutes blow kisses through time. It’s the creaky, pine floor stage stomped by fiddlers and banjo thumpers and, as the house lights dim, a spotlight shines on The Dogwood Cats.

DEDICATED TO THE LIFE AND SPIRIT OF BROTHER WILL D. CAMPBELL

Isle of Hope

As cliché as it sounds, I woke up from a dream and had a great idea…an idea for a new album.

Having spent the last two years collecting and performing new songs that I had written, I knew that the time was ripe to make another CD. Only one problem. Raising money. It’s that nasty gut wrenching task that nags every artist attempting to produce or promote a new project. My first two records had had budgets of 5 digits and I dreaded the task of raising that sum once again.

Then, one chilly morning in early January, I woke up with music still reverberating in my head…my music. In my sleep I had been listening to my new album. The sound reminded me of albums that I had loved as a kid then later as a young musician. Simple acoustic music. There was no band to speak of, just my voice and guitar. When I was fully awake, I realized that a weight had been lifted in my spirit and I could move forward with making a CD that I could afford to make and one that I would enjoy hearing.

With the help of my good friend, Thomm Jutz, we’ve started recording ISLE OF HOPE and it sounds great!  Thomm accompanies me beautifully on acoustic guitar and provides some harmonies here and there but, other than that, he just placed a microphone in front of my mouth and one in front of my guitar and rolled tape. The effect is the songs are crystal clear. You can hear every nuance of the guitar work, something that I felt was lacking on the first two CDs. If you remember the first Gordon Lightfoot album, that’s what we were shooting for and I think that we achieved that spirit.

As usual, there is quite a cast of characters in the songs…murderers, shoplifters, car thieves, hypochondriacs, a voodoo witch doctor, a legendary blind blues singer, winos, a dustbowl farmer, Noah, a pothead Tupperware selling mom and a pair of Siamese twins. We also deal with lost love, existential self-discovery, surviving the death of my brother and two unabashed gospel numbers. Needless to say, we balance lighthearted laughs with the weighty ballast of heartbreak. There’s a lonesome quality to the record, lonesome with a wry smile.

ISLE OF HOPE is certainly my most personal album and the stripped down production adds to that direct, immediate contact….no wall between the artist and listener. I’m not sorry that I made the first two records like I did but this time around I made it as honest and vulnerable as I possibly could. And, it really did start from a dream on a southern winter’s night.

Hymns to the Here and Now

Hymns To The Here And Now is a real achievement and definitely one for those who like their music sharply and intelligently delivered.”
Jon Philibert, Country Music People (UK)

Jefferson Ross is one of those rare talents that shines in any setting.  To see him live is like getting comfortable with an old friend.  To hear his records is to be invited into a warm, familiar place.  Thank you, Jefferson!
Ralph Murphy, Senior VP-ASCAP

Jefferson Ross is one of my favorite songwriters.  Americana at its best!
Rob Ickes, 11 time winner IBMA Dobro Player Of The Year

Spellbinding!
Bill De Young, Connect Savannah Magazine

Southern songwriting at its finest.  Hymns To The Here And Now is one of my favorite albums.”
Thomm Jutz, guitarist/producer (Nanci Griffith, Mary Gauthier, David Olney)

“The images in Jefferson Ross’ songs make you feel that you were riding right along beside him, sharing the same experiences. His tunes, and the characters in them, have kept me company on many a road trip.”
Ron Harwood, EMI – Canada

Azalea

“Brilliant songwriting… what a find.  He sings with immense heart and believability… you’ll hang on every word…”
Robert K. Oermann, Music Row Magazine

“A master singer-songwriter that every single Maverick reader needs to embrace.  As a writer he’s in the same league as Guy Clark, Rodney Crowell and Jesse Winchester. As a singer, he’s very much his own man, and as for making records, this debut album puts him in a class of his own”
Alan Cackett, Maverick Magazine (UK)

“I love the honesty, integrity and great songwriting that this album encompasses.  His talent and passion more than come through on this debut solo project.  Seeing him take his own road and do such great work makes me smile.  Well done!”
Terri Clark (International Country Music Star)

“Azalea holds an unprecedented American modesty, which I cannot but respect with awe. A fine debut that will appeal to many.”
Rein van den Berg, Rootsville.be (The Netherlands)

“Jefferson Ross is a pure musician…His current solo-album is a musical pearl…A real independent highlight!”
Iris Paesch, Western Mail (Berlin)

“Jefferson Ross comes straight outta nowhere but is clearly destined for somewhere… wonderfully melodic country-folk”
Sid Griffin, Author of “Gram Parsons – A Biography” (UK)